February 2022

Released: 2009Album: Lost I can't be the only Ela Orleans fan in this world. But at times it feels like I could be. Fandom of an obscure artist can often feel like being part of a really exclusive secret club. In a world as large and connected as it is now, it's a pretty cool feeling. No one wants to be totally basic. Experimental Polish musician Ela Orleans has been quietly producing some of the most remarkable, eerie records of the past decade plus. The sounds are a unique collage inspired by mix of pop, electronica, film music, folk, and much more. There's a lovely ghostly haze that inhabits her atmospheric musical renderings. The music may be experimental in nature, but it's never remotely unapproachable. "Better Friends," with its dreamy 50s pop engulfed in hypnotic atmospheric loops and tense violin, is a perfect example of the mystifying sounds of Ela Orleans. Lyrics When I'm all aloneEnvy me mostThen my thoughts flutter round meIn a glimmering host Some dressed in silverSome dressed in whiteEach like a taperBlossoming light Most of them marriedSome of them graveEach of them litheAs willows that wave Some dressed in silverSome dressed in whiteEach like a taperBlossoming light Some bearing violetsSome bearing bayOne

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Released: 2022Album: Ocean Child: Songs of Yoko Ono "It's very important to me that people get a chance to really understand what Yoko's music is all about. My hope for the people who hear this music for the first time is that their idea of Yoko Ono is completely flipped upside down. I’m also beyond grateful to all the artists who contributed songs to this project.” - Ben Death Cab For Cutie's Ben Gibbard curated and executive-produced Ocean Child: Songs of Yoko Ono with the intention of bringing a newfound appreciation for Yoko. For many Yoko has been little more than a punchline or a scapegoat for the demise of the Beatles, when the truth is that she's one of the more remarkable artists of her time (both in fine art and music). I didn't really appreciate Yoko's musical contributions until I heard Sometime In New York City years ago. "Sisters, O Sisters" was a really cool song. And then came "Born In A Prison" with its great sax intro and the brilliant line "Mirror becomes a razor when it's broken / Look in the mirror and see your shattered fate." I quickly realized that there was more to Yoko Ono. There's

Released: 2008Album: Saturnalia His voice was like that of a man buried alive who had miraculously been unearthed, heart still beating. That deathly baritone, burdened with gloom, could reach down into your soul, shower you with ashes, and leave you trembling on your knees. Mark Lanegan was a one-of-a-kind artist. His band Screaming Trees were an essential piece of the grunge era. And just as the Screaming Trees came to an end, he found himself lending his voice to Queens of the Stone Age, just as they were becoming the biggest hard rock band in the world. In the 21st century, Lanegan ceaselessly collaborated, working with a wide range of musicians, including Isobel Campbell, Greg Dulli, Soulsavers, Tinariwen, Moby, and Unkle. He never failed to improve the project. Throughout the years, Lanegan also consistently released stunning solo records. In fact, his 2020 LP Straight Songs of Sorrow should be regarded as one of his best. It's impossible to reduce Mark Lanegan to a single song. His decades-long career has produced too many memorable moments. His performance on The Gutter Twins' "All Misery/Flowers" remains a personal favorite. One. of the few times I got to see Lanegan perform live was with The

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On their new confessional single "Hide," vocalist Lena Machina lares bare her struggles with mental illness and eating disorders. The song is a powerfully revealing statement from one of Asheville's best young bands.

Released: 2022Album: Laurel Hell The pressures of being creative for a living can be far less glorious than perceived by fans. Mitski has always been the kind of artist who bares her soul. On "Working for the Knife," the singer-songwriter expresses her struggles under oppressive forces. As with much of her newest album, Laurel Hell, synthesizers play a key role in the sonic landscape. On Laurel Hell, Mitski maintains her raw emotive power while pushing further into synth pop territory. Lyrics Sadly, when things go adversely, the sentence gets U india generic tadalafil turn making both of the persons feeling disappointed. While stress and anxiety can undoubtedly cause impotence, this doesn't equate to a rise in 5mg cialis generic unica-web.com Sales. Pre-Modern and Unmanned Balloon-Flights in Ancient China Already 220 - 280 AD hot air balloons were a unica-web.com online viagra cialis popular topic in ancient China. All it will need some determination and regularity. purchase cheap cialis unica-web.com [Verse 1]I cry at the start of every movieI guess 'cause I wish I was making things, tooBut I'm working for the knife [Verse 2]I used to think I would tell storiesBut nobody cared for the stories I had aboutNo good guys [Verse 3]I always

Released: 1983Single "Spacer Woman" is one of those songs that the general public is totally unfamiliar with, but it's also heralded as a classic by Italo Disco diehards. "Spacer Woman" came together when Firefly's Maurizio Cavalieri recruited his friend Giorgio Stefani to help write the song and lyrics. Cavalieri had been inspired by newer synth pop acts like Depeche Mode and Heaven 17 to produce a track that would sound more electronic and futuristic than his previous work. With lyrics inspired by an Isaac Asimov character (Gladia Delmarre), and vocals sung through a vocoder by Stefani's wife, they nailed the futurist disco sound they were aiming for. It really sounds nothing like Cavalieri's work with pretty conventional Italian disco trio Firefly. This is what you'd expect to hear at a nightclub in the original Blade Runner's fictionalized version of LA. Lyrics I'm a Spacer WomanDon't you worry 'bout me?I don't want to hurt youI just want to love you! We can start it overCome on be my loverYou will be my dangerLet me be your stranger! I'm a Spacer WomanDon't you worry 'bout me?I don't want to hurt youI just want to love you! We can start it overCome on be my loverYou will be my

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Released: 1983Album: The Key There's always blind spots—artists whose names you've heard for years but you've never checked out. Until recently Joan Armatrading was one of them. I guess I always just assumed she'd sound like 60s Greenwich Village folk, and I couldn't tell you why I have had that misconception. Upon hearing,"Less Than Zero," the opening track to her self-titled 1976 record, I was immediately blown away. The entire album is a folk rock masterpiece. Her unique contralto voice reminded me of a contemporary personal favorite, Circuit des Yeux. It's also impossible to think she wasn't a huge influence on Tracy Chapman. Producer Glyn Johns even once said that Joan Armatrading was the best album he was ever associated with. That's high praise from a guy who worked with The Beatles, Stones, Zeppelin, Small Faces, etc. In the 80s, Armatrading shifted to more of a pop rock sound. Such a move could have been disastrous, but Joan Armatrading rules. In 1983, her album The Key featured a backing band that included Adrian Belew, Tony Levin, Stewart Copeland. The infectious "Drop the Pilot" was her biggest hit from the record, but album opener "(I Love It When You) Call Me Names" is

Released: 1990Album: 101 Damnations While Manchester's "Baggy" scene was at its peak, London's Carter The Unstoppable Sex Machine was producing their own unique brand of dancy punk rock. Utilizing drum machines and samples, along with high energy guitars and socially conscious lyrics, Carter The U.S.M. were one of the best bands connected to the UK's Grebo scene, which also included Ned's Atomic Dustbin, E.M.F. and Pop Will Eat Itself. "Sheriff Fatman" was one of their first singles, and remains one of their definitive tracks. [Intro]Ladies and gentlemen, I give you Sheriff Fatman! [Verse 1]Now, Sheriff Fatman started out in business as a granny farmerHe was infamous for 15 minutes and he appeared in PanoramaThen he somehow got himself on board the Starship Enterprise Allowance SchemeWith a Prince of Wales award for pushing Valium and amphetamines [Chorus]Now he's moving up onto second base behind Nicholas Van WotsisfaceAt six foot six and a hundred tons, the undisputed king of the slumsWith more aliases than Klaus Barbie, the master butcher of Leigh-on-SeaJust about to take the stage, the one and only, hold the front page pfizer viagra online Gone are the days when people used to depend on home remedies or surgeries. wholesale viagra india Instead of being