“Lumbering drums, jangling shakers, electronic squiggles, and lots of whimsical, ragged shouts accompany the strutting bass line and stomping guitar. As with, say, Chicago indie-rockers the M’s, it’s all just loose and playful enough to avoid coming across as overly nostalgic.”—Pitchfork
"Material that doesn’t strive for radio-style catchiness but mesmerizes and clobbers live audiences instead..." (CMJ 2008)—New York Times
"Psychedelic without being cheesy, this band sounds like a sinister carnival."—NPR All Songs Considered
"Ravens and Chimes ... sweeten your blood with every listen." — URB Magazine
"Ravens And Chimes [kicked off their tour] at Union Pool. The six member ensemble could barely fit on the small stage at the club, and the sound was a little muddy ... [but] it didn’t stop the beautiful, unique chimes from the xylophone, the sweet sound of the flute, or the aggressive tossing of a tambourine around the stage." —CMJ
"frenzied chatter in the blogosphere has tagged them as the next next Arcade Fire." —Spin.com
One of "25 Must Hear Artists" at the CMJ Music Festival 2009! —Spin
"Miracles of Modern Science play consummate major-key space-pop that sounds like something new."—Wired
"These days its a challenge within the “indie/rock/pop” realm to actually produce music that is “original” either in its presentation, production or writing. Miracles of Modern Science have mastered that challenge."—NYC Taper
"...one of Brooklyn's top unsigned gems." —Ear Farm
"I can't even begin to explain how obsessed I am with the new songs..." —The Battering Room
"Now known as Milagres the band continued in the tradition of their well received record Seven Summits, making fantastic indie pop music with depth and a fantastic songwriting gift. The songs of Empty Sleeves wind up representing the end of one era of the band and the dawning of a new as they have gone on to a successful run at CMJ and a few well received local shows. We're sure they are getting ready for a new release under the new name but you should definitely track down these tunes and check them out when you get a chance." —Pop Tarts Suck Toasted "Best of '09: Top 10 EPs"
Not a single major publication reviewed this record, which would have to make me assume that none of them heard it because to hear this record and not sing its praise is to be deaf. It's a triumph deserving immediate praise and attention. Anything less would be disrespectful. There are elements of critic darlings Sufjan Stevens, Postal Service, Grizzly Bear, Bon Iver and Dirty Projectors all over Try Brother, but at the same time Capybara have their own totally wonderful sound. What Capybara does so well is balancing the lush atmospheric harmonies and instrumentation with catchier melodies. "Birthday Song For Bridgegirl" is the perfect embodiment of all of their strengths.
If Capybara continues to go unnoticed by critics, then I may very well lose all faith in the music industry that continues to make cookie cutter lo-fi bands stars.
I've decided to list 25 albums that will get shafted/overlooked on this 2009's Best Albums of the Year Lists.
Check back each day for a new addition to the list. (no particular order)
2. Deleted Scenes – Birdseed Shirt
mp3: Deleted Scenes - "Fake IDs"
Indie tastemakers gave it an 8.0 and showered it with praise, but for some reason Birdseed Shirt never put a dent in the rest of the industry. I've been pretty hard on Pitchfork, but I have to give them credit, because they were pretty much the only ones who gave Deleted Scenes respect for this wonderful record. It's not just about 12 really well-written songs, it's about subtle, yet great musicianship and variety.
I wasn't planning on doing this, but after finding myself in the festive mood today and seeing so many other people do it, I decided to put together my own special x-mas mix tape. And I guarantee it's not all songs you'll find on all the other indie blogs.
With Tomorrow's Fossils, Loxsly has recorded a brilliant scientific concept album that doesn't just hint at the genius of influences like Grandaddy, Flaming Lips and Wilco, it actually measures up to them. It's a fully realized record that doesn't get overly lost in the overwhelming task of being a concept album. The songs function just fine on their own, but only when combined as a whole can they really be fully appreciated, flowing perfectly. The pedal steel is the ultimate weapon, but all the parts are contributing something interesting at every moment.
Dappled Cities is Australia's answer to Radiohead, and sure we've seen bands get plugged with that Radiohead tag before and no band alive can match that caliber of excellence, but with their sophomore release, Dappled Cities is inching closer. More upbeat than rock's greatest band, Dappled Cities' greatest asset is a pair of exceptional vocalists.
When someone has the balls to make a list called "The Best of..." the results are always a very subjective cross-section of their own personal tastes. The best lists are always generated by consensus of a large collective of people well-informed about the subject they're ranking. Music is my oxygen. Without it I suffocate, so I listen to a lot of new music every year. That said, it's all restricted to my tastes, what I have access to/know about, and my moods. Like everyone, I have favorites and I'd like to spread the word about the records I love, but I won't dare call them the best records of the year. It amazes me how so many "Best of 2009" lists completely lack genres, as if to say that indie rock is the ultimate form of music. My favorite records of the year are a variety of rock records. Almost embarrassing that it lacks hip hop, jazz, classical, soul, and other genres, but rock is where I was with my head this year and this isn't a best of list, it's a completely subjective list of my favorite records—a list that probably wouldn't be exactly the same tomorrow.
Animal Collective - Merriweather Post Pavillion
It's gonna be almost everyone's choice for album of the year, and that makes me not want to make it #1, but the fact is that Animal Collective has made an uncompromisingly great record that should withstand the test of time and inspire musicians for many more years.
Best track: My Girls
Capybara - Try Brother
Why all of the music media missed this one is beyond me. Combining elements of Sufjan, Arcade Fire, Dirty Projectors and many more, the refreshingly diverse Try Brother is easily the year's best debut record.
Best track: Cutaway Kid
Swan Lake - Enemy Mine
Beast Moans only hinted at what the combination of Krug, Bejar and Mercer would be capable when joined together as indie supergroup Swan Lake. As three of the most talented and unique songwriters in the world, they seem to mesh perfectly, and in the end it's Mercer who shines most brightly with a huge voice that sounds like a really crazy drunk Bowie.
Best track: Peace
Phoenix - Wolfgang Amadeus Phoenix
I've said it before and I'll say it again, Phoenix are the best pop band of our time, and it's about time people realized it. "Love Like A Sunset pts 1 & 2" is the perfect centerpiece, pulling a 5:40 second instrumental before eclipsing into pure bliss.
Best track: Love Like A Sunset pt. 1 & 2
Dirty Projectors - Bitte Orca
The fully realized masterpiece that Dave Longstreth has hinted at for years, thanks to some of the tightest harmonies ever caught on record.
Best track: Useful Chamber
Pink Mountaintops - Outside Love
As if Black Mountain's To The Future wasn't great enough, Stephen McBean's other project outdid them.
Best track: Vampire
Flaming Lips - Embryonic
No one expected this. Just when Wayne Coyne and Flaming Lips had seemingly grown out of their extreme weirdness, they go and release their most bizarre record since becoming indie rock icons.
Best track: Evil
Deleted Scenes - Birdseed Shirt
Diverse, desperate, and genuine—Birdseed Shirt is a rock record with a soul and humanity, during a time where humanity gets lost behind effects or sounds forced.
Best track: Fake IDs
Hooray For Earth - Momo EP
Just a hint of what's to come, Hooray For Earth has worked out the ideas of their earlier releases and created their own unique sound that is able to combine loud and heavy with poppy and danceable.
Best track: Get Home
Bear in Heaven - Beast Rest Forth Mouth
A psychedelic headtrip unlike any I've ever heard before.
Best track: Ultimate Satisfaction
Built to Spill - There is No Enemy
All it takes is that opening riff to let you know that this is Built to Spill's best album in 10 years. It's a return to form for one of the indie rock's elite bands.
Best track: Aisle 13
Loxsly - Tomorrow's Fossils
If Flaming Lips got too weird for you, Loxsly may be able to fulfill the need for Soft Bulletin-era Lips. Not many bands can debut with a concept album. Fully developed at the starting line, Loxsly's not like many other bands.
Best track: As The Constellation's Arms Uncurled
The Veils - Sun Gangs
You feel every word that Finn Andrews sings, because he delivers them with the type of intensity that can rip your soul to shreds.
Best track: Sit Down By The Fire
Harlem Shakes - Technicolor Dream
Harlem Shakes first and most likely last full length is a fun, uplifting record about change.
Best track: TFO
The Antlers - Hospice
A big sweeping record filled with emotional despair.
Best track: Sylvia
The Big Pink - A Brief History of Love
Sure, The Jesus & Mary Chain chain did it first, then Black Rebel Motorcycle Club picked up the torch, but A Brief History of Love is about as big and wonderful as anything either of those bands have released.
Best track: Velvet
Shilpa Ray & Her Happy Hookers - A Fish Hook An Open Eye
Shilpa Ray has quickly emerged as the best female vocalist in New York City with brutally honest lyrics that come from a much darker dirtier place than her peers.
Best track: What The Fuck Was I Thinking
Wild Beasts - Two Lovers
An album full of spinning webs of vocal theatrics.
Best track: This Is Our Lot
We Were Promised Jetpacks - These Four Walls
Every second feels genuinely passionate and filled with immediacy. Best track: It's Thunder and It's Lightning
Foreign Born - Person to Person
A sophomore record that actually improves upon the debut in all the right ways.
Best track: Vacationing People
Sunset Rubdown - Dragonslayer
The 2nd of 2 Spencer Krug related albums to make this list just goes to show how prolific of a songwriter he's become.
Best track: Nightingale/December Song
Dappled Cities - Zounds
Could be heard as the Australian brother of Wild Beasts.
Best track: The Night Is Young At Heart
Islands - Vapours
They ditched the strings for synths, and when doing so Nick Diamonds returned to a more upbeat place. It's the closest thing he's done to that now legendary Unicorns record.
Best track: EOL
Wye Oak - The Knot
With The Knot, Wye Oak filled out their stripped-down bass and guitar duo sound and let the guitar scream a bit louder.
Best track: Take It In
John Vanderslice - Romanian Names
After 6 overlooked gems, veteran songwriter John Vanderslice signed to Dead Oceans and released the rest record of his career.
Best track: Too Much Time
Honorable Mentions:
Loney, Dear - Dear John
Best track: I Was Only Going Out
DeVries - Death to God
Best track: What A Wasted Life
Kurt Vile - Childish Prodigy
Best track: Freak Train
Pains of Being Pure at Heart - s/t
Best track: You Adult Friction
Edward Sharpe & The Magnetic Zeros - Up From Below
Best track: Up From Below
Dan Deacon - Bromst
Best track: Snookered
Yeah Yeah Yeahs - It's Blitz!
Best track: Skeletons
Marissa Nadler - Little Hells
Best track: Ghosts & Lovers
Mew - No more stories Are told today I'm sorry They washed away No
Two of the years best releases came from Black Mountain side projects involving Amanda Webber's Grace Slick-like quivering vocals. While Pink Mountaintops is still very much about Mr. Stephen McBean, Lightning Dust is all about Webber and her hauntingly beautiful voice. In 2008, she gave us "Night Walks" on Black Mountain's incredible sophomore record. With Lightning Dust she gives us an album full of songs from that magnificent breed, particularly the sensational "Dreamer."
Surprisingly, both albums by Pink Mountaintops and Lightning Dust have gone horribly overlooked in 2009 by critics who are overly focused on shit-gaze, glo-fi, chillwave, and other subgenres that have always existed, just without the hip names.
Their debut record lives up to the name of their band, but it's not just fun without having depth. Just as BLK JKS debut was ambitious, so is Aim & Ignite, just in a much different way. Reaching to the highest levels, Fun created a record of pop songs that hints at Beulah's best work with with biggest instrumentation. It's filled with harmonies, and an everything but the sink instrumentation approach. Many will quickly judge this band as just another emo band gone indie pop, but there are so many nuances making Aim & Ignite special. There's a few flaws that'll keep it from being as good as it could've been, but tracks like "Light a Roman Candle With Me" and "I Wanna Be The One" show a band with fully capable of writing perfect pop songs.
A victim of the hype that brought it here from South Africa, After Robots is a wildly ambitious record that blends music styles in a way an American-bred band would not be able to so well. Sure it can get lost in itself at times but the rewards keep coming too. It's far simliar too Mars Volta than TV on the Radio, who they were originally compared to, and that's not necessarily a bad thing. After Robots is not a perfect record, but gives us a lot to look forward to.
Childish Prodigy starts with a bluesy, psychedelic opener "Hunchback" that recalls legend Roky Erickson. It's a promising sign of the road ahead. Then comes the fuzzy, fingerpicked "Dead Alive" and you know for sure that this trip is going to be very unpredictable and strange trip, but one worth traveling. The best way to describe Childish Prodigy is as an uncomprimisingly-twisted folk record filled with a strong sense of paranoia.
Members of Clap Your Hands Say Yeah, Dirty On Purpose, and Au Revoir Simone formed a band and made an album sounding like a perfect mix of their past projects and every bit as good, but Uninhabitable Mansions haven't yet blown up. Nature is a Taker is exactly the record fans would hope for based on the collection of members. It's poppy indie rock with buzzing guitars coming in and out, and utilizing/balancing three solid vocalists.
Also, my friends in Loxsly recorded a Christmas song for Indiecater Records. It’s included on their recent compilation, An Indiecater Christmas, along with a lot of other great tunes.
Stream the record for free here. And it can be bought for a cheap 6 euros.
I'm not a fan of X-mas music, though I'll enjoy a song here and there, but I love Zambri and they've recorded this great x-mas song with Noel from Hooray For Earth
Little Hells is the sound of dark mystical beauty. Nadler's voice is one of the most seductive I've ever heard, and it will lead you through a Twin Peaks-esque fantasia on her 4th studio release. Simone Pace of Blonde Redhead plays drums, and that makes perfect sense because Blonde Redhead is one of Nadler's closest sounding peers, especially considering the mood of the music. It's also one of those few records to score an 8.0 or higher on Pitchfork this year without receiving "Best New Music." Had it's 8.3 on Pitchfork been more noticeable, Little Hells might have been a much bigger record.
It's all arbitrary. Ask me again in a month and this list will be in totally different order, and a a few different records will be on the list. Actually, give me 5 minutes and this list would be different. This is just a list of my favorite records. I can't even imagine the procedure in ranking them as "best records of 2000s". I don't know if Kid A is the best record of the decade or how anyone would be able to measure something so subjective, but I know that I like Kid A better than any other record of the decade. I would love for publications such as Pitchfork, NME, and Paste to really elaborate on their processes in measuring the rankings of their year-end and decade-end lists, because to say something is the greatest album of an entire decade is a pretty huge honor. In other fields it's a bit less subjective to measure greatness. For example, Michael Jordan is considered the greatest basketball player ever based on his superior stats and the awards and championships he won, but it's not that easy with music. Ranking music is like ranking food. We all have different tastes, and there are a lot of different categories that are tough to judge against each other. Sure, we all know Nickelback sucks and some burgers taste like hockey pucks, but how do we decide if one incredibly succulent steak is better than another? We can't really.
Jonny Leather's 100 Favorite Records of 2000-2009:
Radiohead - Kid A
The Avalanches - Since I Left You
Modest Mouse - The Moon & Antarctica
The Walkmen - Bows & Arrows
Phoenix - It's Never Been Like That
The Arcade Fire - Funeral
The Strokes - Is This It?
Radiohead - In Rainbows
Beulah - Yoko
The Walkmen - You & Me
The Wrens - Meadowlands
Broken Social Scene - You Forgot It In People
Wilco - Yankee Hotel Foxtrot
Animal Collective - Merriweather Post Pavilion
Spiritualized - Songs in A&E
Radiohead - Hail to the Thief
Liars - Drum's Not Dead
Fugazi - The Arguement
Sigur Ros - Agaetis Byrjun
Blonde Redhead - Misery is a Butterfly
Panda Bear - Person Pitch
The Flaming Lips - Yoshimi Battles The Pink Robots
The National - Alligator
Pulp - We Love Life
Black Rebel Motorcycle Club - Howl
Blur - Think Tank
The Walkmen - Everyone Who Pretended To Like Me Is Gone
Dirty Projectors - Bitte Orca
At The Drive-In - Relationship of Command
Radiohead - Amnesiac
Sigur Ros - Takk
Animal Collective - Strawberry Jam
Phoenix - Wolfgang Amadeus Phoenix
The Streets - A Grand Don't Come For Free
Sigur Ros - Med Sud I Eyrum Vid Spilum Endalaust
Pink Mountaintops - Outside Love
The Arcade Fire - Neon Bible
Wilco - A Ghost is Born
Sunset Rubdown - Shut Up I Am Dreaming
The Dears - Gang of Losers
Explosions in the Sky - All Of A Sudden I Miss Everyone
Blonde Redhead - Melody Of Certain Damaged Lemons
The Veils - Nux Vomica
The Libertines - Up The Bracket
Swan Lake - Enemy Mine
Stars - Set Yourself on Fire
Nada Surf - Let Go
Spiritualized - Let It Come Down
Elliot Smith - Figure 8
...And You Will Know Us By The Trail Of Dead - Source Tags and Codes
Shellac - 1000 Hurts
Tomahawk - Tomahawk
The Raveonettes - Chain Gang of Love
Okkervil River - Black Sheep Boy
The Good, The Bad & The Queen - The Good, The Bad & The Queen
The Microphones - Mount Eerie
The Walkmen - A Hundred Miles Off
Bon Iver - For Emma, Forever Ago
Animal Collective - Feels
Spoon - Gimme Fiction
Bjork - Vespertine
Motel Motel - New Denver
Capybara - Try Brother
Elbow - Cast of Thousands
Interpol - Turn on the Bright Lights
Sufjan Stevens - Illinois
Sunset Rubdown - Random Spirit Lover
Walking Bicycles - GO
Clap Your Hands Say Yeah - Clap Your Hands Say Yeah
Hooray For Earth - Momo EP
Peter Bjorn and John - Writer's Block
The Dears - No Cities Left
The Veils - The Runaway Found
TV on the Radio - Desperate Youth, Blood Thirsty Babes
Kings of Leon - Aha Shake Heartbreak
Flaming Lips - Embryonic
Yo La Tengo - And Then Nothing Turned Itself Inside-Out
Gutter Twins - Saturnalia
The Faint - Danse Macabre
Hot Chip - The Warning
The White Stripes - White Blood Cells
Clinic - Internal Wrangler
Man Man - Six Demon Bag
Hot Snakes - Suicide Invoice
The Microphones - The Glow pt 2
Grandaddy - The Sophtware Slump
The Tallest Man on Earth - Shallow Grave
Belle & Sebastian - Fold Your Hands Child, You Walk Like A Peasant
You probably didn't even hear of Alvin Band this year. A solo side project for Miniature Tigers' drummer Rick Schaier, Alvin Band's Mantis Preying sounds like acapella Animal Collective. Schaier created it with layer upon layer of vocal tracks only, much like Bjork's Medúlla. Just on the basis that it was created with vocal tracks only makes it impressive. It's an unbelievably upbeat, fun record that could/should have been way more popular than it is.
A year ago, Dan Deacon was one of the most talked about artists in the indie world. Deacon's 2007 breakthrough record Spiderman of the Rings, along with a really unique live performance style, had propelled him to to stardom. Everyone from the New York Times to Rolling Stone to Pitchfork loved Deacon, and then he released Bromst in early 2009. Where Spiderman of the Rings may have been too hyperactive for its own good, Bromst takes its time to develop, and is a much bigger, bolder record because of that. It's unavoidably polarizing in its wierdness, but this is a year where wierd prevailed with the successes of Animal Collective and Dirty Projectors. Just how an artist like Dan Deacon can produce an album this great while still one of the most hyped artists around and not get the attention he deserved for it is baffling. This is the problem of the media focusing far too much on finding the next big thing and not even enjoying it when the next big thing blossoms in that big thing. We need to go back to enjoying artists when they're at their best rather than before they develop.
I could listen to Rick Froberg play guitar all day, and when I Blame You came out, I was. Since the early 90s, Froberg has been providing some of the most cutting guitar playing anyone's heard. Drive Like Jehu will probably always be Froberg's greatest gift to the music world, but Hot Snakes and now Obits are both incredible bands in their own right. Even if Obits are essentially all about Mr Froberg, the other members hold their own all the way through, even when guitarist Sohrab Habibion sings lead on "Run." This is a record full of straight forward rock with incredible guitar work, and oddly enough not much of that exists anymore in America.
ArpLine - Travel Book Beach House - Teen Dream The Besnard Lakes - The Besnard Lakes Are The Roaring Night Drink Up Buttercup - Born And Thrown On A Hook Extra Life - Made Flesh Field Music- Measure Judson Claiborne - Time And Temperature Liars - Sisterworld Linfinity - Martian's Bloom Malachai - Ugly Side Of Love Miles Kurosky - The Desert Of Shallow Effects Saharan Gazelle Boy - Airplanes Can't Shearwater - The Golden Archipelago The Silent League - But You've Always Been the Caretaker Spoon - Transference Yeasayer - Odd Blood